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Mevleviyye

Mevlânâ Celâleddîn-i Rûmî’ye (ö. 672/1273) nisbet edilen tarîkat
Mevleviyye
Mevleviyye
Mevlânâ Celâleddîn-i Rûmî is regarded as the master (pir) of the order in the Mevlevi lineage. Mevlânâ was a person who possessed the qualities of a scholar, Sufi, and poet in the fullest sense. He began his education alongside his father, who was known by the title Sultânülulemâ, and continued it in Aleppo and Damascus. He was spiritually guided by Seyyid Burhâneddin Muhakkık-ı Tirmizî. His encounter with Shams of Tabriz marked a turning point in Mevlânâ’s life. The true Mevlânâ, who sang of divine love and ecstasy, was born during this period; initially his love was hidden in piety, then his piety was hidden in love. He composed most of the poems in the pinnacle of world poetry, the Dîvân-ı Kebîr, during this era, followed by the Mesnevî, one of the most widespread and important works of Islamic culture.

The Mevlevi order’s identity as a tariqa began to form during the time of Hz. Mevlânâ’s son, Sultan Veled. Sultan Veled’s leaving the spiritual leadership to his son Ulu Ârif Çelebi marked a turning point in the tariqa’s history. Following this event, Mevlevi order started to be represented by sheikhs belonging to Mevlânâ’s lineage, who bore the title “çelebi.” The Konya Mevlânâ Lodge and the office of çelebi became the administrative center of the Mevlevi tariqa.

Mevlevi order, initially widespread among the Turkish principalities in Anatolia, entered Ottoman lands with the Mevlevihane established by Murad II in Edirne (1426). The first asitâne or Mevlevihane of Istanbul is the Kulekapı (Galata) Mevlevihane, established in 1491 with the permission of Bayezid II.

Mevleviyye
Mevleviyye
The foundation of the tariqa in Mevlevi tradition is love, knowledge (marifah), and service. Throughout history, Mevlevi order has influenced the spiritual life of people from all social layers, from common folk to statesmen. Many scholars, wise men, and accomplished individuals, as well as some of the most important representatives of Turkish culture and arts, have been raised from Mevlevi lodges which functioned as academies of fine arts.

The Mevlevi dhikr known as Semâ’ Âyin-i Şerîfi symbolically represents the creation of the universe, the awakening of man in the world, the movement stirred by love for the Almighty Creator, the realization of servitude, and the progression toward the perfect human being (insan-ı kâmil). The dervishes’ hats symbolize tombstones; their cloaks symbolize their graves; their skirts symbolize their shrouds. They have stripped themselves of the world and are love moths of the unseen realm.

The views of Hz. Mevlânâ, and the works and translations about him, continue to influence a wide audience worldwide today.

Ken’ân Rifâî’s Mesnevî interpretations have aroused affection and interest within lodge circles, and as a result of this positive influence, he was granted honorary Mevlevi authorization (icâzet) from the Konya Mevlevihane. Ken’ân Rifâî notes that he received this Mevlevi authorization in Medina directly from the spiritual meaning of the Prophet himself.

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